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Veteran rockers bring show to Largo
Power trio, Winery Dogs, to perform at Largo Cultural Center
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Photo courtesy of PARADISE ARTISTS
From left, Billy Sheehan, Richie Kotzen and Mike Portnoy perform as The Winery Dogs, visit Largo Cultural Center May 15.
LARGO – Boasting seasoned metal veterans with imposing credentials, it would be easy to call The Winery Dogs a supergroup. The power trio is out to prove it’s much more than a run-of-the-mill supergroup.

The Winery Dogs hit the stage Thursday, May 15, 7:30 p.m., at Largo Cultural Center, 105 Central Park Drive, Largo.

Tickets are $24.50. Call 587-6793 or visit largo­arts.­com.

The Winery Dogs features Richie Kotzen on vocals and guitar, Billy Sheehan on bass and vocals and Mike Portnoy on drums and vocals. Kotzen made his mark with Poison and Mr. Big; Sheehan has been rocking for decades with Steve Vai, David Lee Roth, Mr. Big and others; and Portnoy was the co-founder of progressive metal superstars Dream Theater.

The talented rock band downplays the supergroup label many assigned to them when they formed in 2012. In their view, supergroups tend to be short-lived entities composed of gifted players that jam out for little while and then quickly record with the hopes of catching lightning in a bottle. Moreover, they're often the sum of their collective parts.

That's not the case with The Winery Dogs, a cohesive, well-rounded classic-sounding trio whose music is influenced by classic rock icons such as Led Zeppelin, Cream and Jimi Hendrix, as well as modern rockers such as Alice in Chains, Soundgarden and Lenny Kravitz.

The group’s self-titled 2013 debut is filled with straightforward rock and roll inspired by some of their favorite bands. The music transcends any of the styles the individual artists are best known for.

“We all have our own distinct voicings and styles, but we also have a common ground of music we grew up listening to,” said Kotzen in a press release provided by Paradise Artists. “What makes the band so special is that somehow, in our collaboration, none of us lost our identity. We all sound like who we are yet we make music that is fresh and exciting and sounds like a new band. There’s a natural chemistry that came together; it’s one of those things that’s meant to be.”

The glam-metal band Poison features prominently in Kotzen’s résumé: He joined the outfit in 1991 at age 21, performing on and contributing material to the album “Native Tongue.” He co-wrote “Stand” and “Until You Suffer Some (Fire & Ice),” two top 20 singles, and stayed with the band through 1993. In 1999, he joined Mr. Big.

“I like the fact that everybody comes from a different background, though there are similarities to them,” said Sheehan. “We have is a real special bond that wouldn’t happen if we were all into exactly the same things. We brought disparate elements together and made them into a unified band.”

Sheehan has been performing professionally since the 1970s when he formed the power trio Talas with Dave Constantino and Paul Varga. Talas opened a string of shows for Van Halen in 1980. Not long after, Sheehan left Talas to join David Lee Roth’s solo band.

Debut album

The Winery Dogs released their self-titled album in 2013, showcasing 13 tracks that groove and swing without sacrificing any of the grit that makes great hard rock so inspiring.

The opening song, “Elevate,” starts with a bang, as slamming drums and a visceral riff mesh into a rhythm of sheer power. Then the gifted musicians end the stanza in a flurry of precision playing before dropping down to a bass drum thump and sustained guitar feedback over which Kotzen sings, “Lost in the dark, I feel like a shadow of myself.” Then the band kicks back into overdrive and the song repeats its tension and release until it reaches the euphoric chorus, “Elevate me, take me hire/ I don’t want to be wasted.”

The push-pull dynamic illustrates how The Winery Dogs toy with established styles and turn them into something special, complete with Sheehan’s acrobatic bass fills and Kotzen’s rapid-fire solos, which help The Winery Dogs blend in a way that’s both instantly recognizable and utterly individual.

“Desire” is slinkier and more sensual, starting with a lone staccato guitar, but rapidly morphing into a something more infectious than teenage mono, wah-wah guitars pumping along with throbbing bass rhythms and a sturdy backbeat. Before the song is over, The Winery Dogs have engaged in a full-scale workout of funk-inflected and blues-embellished hard rock, capped with the vocal “I don’t think that I can let go.”

“When we were writing, we’d get together and play and everything was really natural and automatic and fell together in a really cool way,” Sheehan said. “Some of the jams we did on the record are pretty spontaneous. We’d launch into them and let nature its course. Honestly, the hardest thing was deciding which songs were our favorites. We’d finish something and be totally happy with it. And then we’d do the next song and go, ‘No, man, that’s our new favorite!’ It was a rare and beautiful thing. Sometimes birth is hard labor, but these songs just popped out.”

According to the band, “The Winery Dogs” is a labor of love written from the heart, revealing unexpected shades of melodic eclecticism and lyrical vulnerability.

Kotzen's vocals powerful vocals and extraordinary guitar playing is anchored by Sheehan's expert bass lines, which root the songs and provide a lock-and-step foundation for Portnoy to play around. The band creates music that seesaws between primal simplicity and time-honored virtuosity.

“It’s very exciting for me to be in a solid rock trio,” Portnoy said in the press release. “Stylistically, the bulk of my career has been spent playing progressive music, so this was an opportunity for me to do something that wasn’t prog or metal.”

After a 25-year stint with the band he co-founded, Portnoy left Dream Theater in 2010. He enjoyed immense success with the prog-metal band, scoring 29 awards from Modern Drummer magazine. He is the second youngest person – after Neil Peart of Rush – to be inducted into Modern Drummer’s Hall of Fame. During his tenure with Dream Theater, he also worked on many side projects, including Transatlantic, a prog-rock supergroup featuring former Spock's Beard keyboardist/vocalist Neal Morse, Flower Kings guitarist Roine Stolt and Marillion bassist Pete Trewavas.

With The Winery Dogs, Portnoy enjoys the shift in musical style.

“It’s more classic rock and, at the end of the day that’s what I grew up with and that’s the biggest influence in my life,” he said. “I’m just at home playing on a small four-piece kit doing a simple John Bonham groove as I am playing complex tempos on a giant kit. And that’s been a great breath of fresh air for me.”

Birth of the band

The seeds of The Winery Dogs were planted in 2011 when Sheehan and Portnoy were working on music together with a different guitarist and songwriter.

When their plans didn’t gel, a mutual friend, “That Metal Show” host and consummate music fan, Eddie Trunk, suggested they contact Kotzen and see if he was interested in forming a band.

“We all thought that was a brilliant idea,” Portnoy said in the press release. “We were looking for that super gifted guitar player, singer and songwriter – and that’s Richie.”

The musicians got together in Kotzen’s rehearsal studio in January 2012 and the first day they jammed, they wrote three songs, including the album tracks “One More Time,” and “Six Feet Deeper.” A month later, they reconvened and wrote five more tunes. From there, it was just a matter of fulfilling other musical obligations before they could get together and start recording the album.

“At that point we were all gung-ho into it,” Portnoy said. “That summer we got together and we began recording in August 2012. That’s when the bulk of the recording was done as well as the writing of the remaining six tracks. We reconvened in December to finish the vocals and the last touches of overdubbing and mixed it in January 2013.”

While many of the tracks on “The Winery Dogs” were written from beginning to end in the studio, others came out of song skeletons Kotzen had already written.

“I had some material lurking on a hard drive, and I played that for the guys and they connected with those and helped me develop them into complete songs. Then there was one, ‘You Saved Me,’ that Mike had some lyrical and melodic ideas for and he ended up writing that. So the process was totally collaborative, no matter who made the first step. There were no egos involved.”

For Portnoy, much of the excitement lies in the uniquely chemical bond the three musicians have created.

“This is a band in the true sense of the word,” he said. “It’s all about collaborating on every level, from the writing to the production, and that’s what makes it more than a ‘project.’ We were in the same room making music together. It wasn’t one of those ‘done by email’ kind of albums.”

From the uptempo blues-punk rhythms and flailing lead guitars of “The Other Side” to the space-warped doom of “Time Machine,” to the boogie blues riffs of “One More Time,” The Winery Dogs conjure the best aspects of ’60s and ’70s rock with a modern flair. Equally experimental and infectious, their album is a milestone in a hard rock genre saturated with cookie-cutter bands afraid to stray beyond their proven formula.

“We’re so proud of everything on this album,” Sheehan said. “We can’t wait to share it with everyone and spend a lot of time on the road. As much as we love these songs, we feel like the next record we make will be just as cool if not better because it will come out of playing together on the road and we’ll learn exactly what works and know what to do next. That’s another thing I’m really looking forward to.”
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