The Giver pairs Bridges, Streep; Stallone and crew join forces in Expendables 3. A number of new movies will hit theaters this week, including the following films opening in wide release.
Photo by PHIL BRAY/LIONSGATE
Jason Statham, left, stars as Lee Christmas and Wesley Snipes as Doc in "The Expendables 3."
The Expendables 3 Genre: Action and thriller Cast: Sylvester Stallone, Jason Statham, Jet Li, Dolph Lundgren, Randy Couture, Terry Crews, Arnold Schwarzenegger, Wesley Snipes, Antonio Banderas, Mel Gibson, Harrison Ford, Kellan Lutz, Ronda Rousey, Victor Ortiz, Glen Powell and Kelsey Grammer Director: Patrick Hughes Rated: PG-13
In "The Expendables 3," Barney (Stallone), Christmas (Statham) and the rest of the team come face-to-face with Conrad Stonebanks (Gibson), who years ago co-founded The Expendables with Barney. Stonebanks subsequently became a ruthless arms trader and someone who Barney was forced to kill... or so he thought. Stonebanks, who eluded death once before, now is making it his mission to end The Expendables - but Barney has other plans. Barney decides that he has to fight old blood with new blood, and brings in a new era of Expendables team members, recruiting individuals who are younger, faster and more tech-savvy. The latest mission becomes a clash of classic old-school style versus high-tech expertise in the Expendables' most personal battle yet.
The Giver Genre: Drama and science fiction Cast: Jeff Bridges, Meryl Streep, Brenton Thwaites, Alexander Skarsgård, Katie Holmes, Odeya Rush and Taylor Swift Director: Phillip Noyce Rated: PG-13
The haunting story of "The Giver" centers on Jonas (Brenton Thwaites), a young man who lives in a seemingly ideal, if colorless, world of conformity and contentment.
Yet as he begins to spend time with The Giver (Jeff Bridges), who is the sole keeper of all the community's memories, Jonas quickly begins to discover the dark and deadly truths of his community's secret past. With this newfound power of knowledge, he realizes that the stakes are higher than imagined - a matter of life and death for himself and those he loves most. At extreme odds, Jonas knows that he must escape their world to protect them all - a challenge that no one has ever succeeded at before.
"The Giver" is based on Lois Lowry's beloved young adult novel of the same name, which was the winner the 1994 Newbery Medal and has sold over 10 million copies worldwide.
Let's Be Cops Genre: Action and comedy Cast: Damon Wayans Jr., Jake Johnson, Rob Riggle, Nina Dobrev, James D'Arcy and Andy Garcia Director: Luke Greenfield Rated: R
It's the ultimate buddy cop movie except for one thing: they're not cops. When two struggling pals dress as police officers for a costume party, they become neighborhood sensations. But when these newly-minted "heroes" get tangled in a real life web of mobsters and dirty detectives, they must put their fake badges on the line.
The following will open in limited release. It may be several weeks before these films appear in local movie theaters.
Dinosaur 13 Genre: Documentary Cast: Peter Larson Director: Todd Douglas Miller Not rated
When Paleontologist Peter Larson and his team from the Black Hills Institute made the world's greatest dinosaur discovery in 1990, they knew it was the find of a lifetime: the largest, most complete Tyrannosaurus Rex ever found.
But during a 10-year battle with the U.S. government, powerful museums, Native American tribes and competing paleontologists, they found themselves not only fighting to keep their dinosaur but fighting for their freedom as well.
Frank Genre: Comedy Cast: Michael Fassbender, Domhnall Gleeson, Maggie Gyllenhaal, Scoot McNairy, Carla Aza and Francois Civil Director: Lenny Abrahamson Rated: R
Acclaimed Irish director Lenny Abrahamson follows up his award-winning films "Adam & Paul," "Garage" and "What Richard Did" with an offbeat comedy about a young wannabe musician, Jon (Domhnall Gleeson), who finds himself out of his depth when he joins an avant-garde pop band led by the mysterious and enigmatic Frank (Michael Fassbender), a musical genius who hides himself inside a large fake head, and his terrifying bandmate Clara (Maggie Gyllenhaal).
Written by Jon Ronson and Peter Straughan, "Frank" is based on the memoir by Jon Ronson. It is a fictional story loosely inspired by Frank Sidebottom, the persona of cult musician and comedy legend Chris Sievey, as well as other outsider musicians like Daniel Johnston and Captain Beefheart.
Life After Beth Genre: Comedy and horror Cast: Aubrey Plaza, Dane DeHaan, John C. Reilly, Molly Shannon, Matthew Gray Gubler, Cheryl Hines, Paul Reiser and Anna Kendrick Director: Jeff Baena Rated: R
Zach (Dane DeHaan) is devastated by the unexpected death of his girlfriend, Beth (Aubrey Plaza). But when she miraculously comes back to life, Zach takes full advantage of the opportunity to share and experience all the things he regretted not doing with her before. However, the newly returned Beth isn't quite how he remembered her and, before long, Zach's whole world takes a turn for the worse.
Ragnarok Genre: Action and adventure Cast: Pål Sverre Hagen, Nicolai Cleve Broch, Bjørn Sundquist and Sofia Helin Director: Mikkel Sandemose Rated: PG-13
Sigurd Svendsen (Pål Sverre Hagen) is a Norwegian archaeologist who is fascinated by a viking ship found at the Oseberg burial mound.
He believes that a runic inscription on the ship, which translates to "man knows little," holds the key to understanding the Norse myth of Ragnarok: the day when heaven and earth are destroyed. After finding similar inscriptions on a stone in Northern Norway, Sigurd, along with his kids and a colleague, begins an expedition to uncover the secret of the day of doom.
The Trip to Italy Genre: Comedy Cast: Steve Coogan and Rob Brydon Director: Michael Winterbottom Not rated
Michael Winterbottom's largely improvised 2010 film, "The Trip," took comedians Steve Coogan and Rob Brydon - or semifictionalized versions thereof - on a restaurant tour around northern England.
In this witty and incisive follow-up, Winterbottom reunites the pair for a new culinary road trip, retracing the steps of the Romantic poets' grand tour of Italy and indulging in some sparkling banter and impersonation-offs. Rewhetting our palates from the earlier film, the characters enjoy mouthwatering meals in gorgeous settings from Liguria to Capri while riffing on subjects as varied as Batman's vocal register, the artistic merits of "Jagged Little Pill," and, of course, the virtue of sequels.
Winterbottom trains his camera to capture the idyllic Italian landscape and the gastronomic treasures being prepared and consumed while keeping the film centered on the crackling chemistry between the two leads. The Trip to Italy effortlessly melds the brilliant comic interplay between Coogan and Brydon into quieter moments of self-reflection, letting audiences into their insightful ruminations on the nuances of friendship and the juggling of family and career. The result is a biting portrait of modern-day masculinity.