ST. PETERSBURG — The War on Drugs will perform Wednesday, Oct. 5, at Jannus Live, 200 First Ave. N., St. Petersburg.
Gates open at 7 p.m. Tickets are $45.50 in advance and $48 at the door. Call 727-565-0550 or visit www.jannuslive.com.
During the last 15 years The War on Drugs has steadily emerged as a rock and roll synthesist — removing the gaps between the underground and the mainstream, between the obtuse and the anthemic — while making records that bring a fractured past into a unified and engrossing present.
The War on Drugs’ fifth studio album, “I Don’t Live Here Anymore,” is an uncommon rock album about one of our most common but daunting processes — resilience in the face of despair.
Just a month after The War on Drugs’ “A Deeper Understanding” received the 2018 Grammy for Best Rock Album, the core of bandleader Adam Granduciel, bassist Dave Hartley, and multi-instrumentalist Anthony LaMarca retreated to upstate New York to jam and cut new demos, working outside of the predetermined roles each member plays in the live setting. The sessions proved highly productive, turning out early versions of some of the most immediate songs on “I Don’t Live Here Anymore.”
That was the start of more than a dozen sessions spanning three years and seven studios, including some of rock’s greatest sonic workshops such as Electric Lady in New York and Los Angeles’ Sound City. Granduciel and trusted co-producer/engineer Shawn Everett spent untold hours peeling back every piece of these songs and rebuilding them.
One of the most memorable sessions occurred in May 2019 at Electro-Vox, in which the band’s entire line-up — rounded out by keyboardist Robbie Bennett, drummer Charlie Hall, and saxophonist Jon Natchez — convened to record the affecting album opener “Living Proof.” Typically, Granduciel assembles The War on Drugs records from reams of overdubs, like a kind of rock ‘n’ roll jigsaw puzzle. But for “Living Proof,” the track came together in real time, as the musicians drew on their chemistry as a live unit to summon some extemporaneous magic.
The immediacy of the performance was appropriate for one of the most personal songs Granduciel has ever written.
The War on Drugs’ particular combination of intricacy and imagination animates the 10 songs of “I Don’t Live Here Anymore,” buttressing the feelings of Granduciel’s personal odyssey. It’s an expression of rock ’n’ roll’s power to translate our own experience into songs we can share and words that direct our gaze toward the possibility of what is to come.