TAMPA — Baroness will perform Tuesday, Aug. 6, 7 p.m., at the Orpheum, 1915 E. Seventh Ave., Tampa.
Tickets are $27 through Ticketmaster. Visit www.ticketmaster.com.
The Grammy-nominated exploratory rock band Baroness is back on the road supporting their most ambitious work to date. “Gold & Grey,” the band’s fifth album, was released in 2017. The album spills triumphantly past genre barriers, their anthemic alt-metal hooks ricocheting between the circuitous twists of prog and jazz, the moody swirls of space-rock and noise, and the hypnotic pulses of trip-hop and 20th Century minimalism.
“This is the most clear representation of the artistic vision I have for the band that we’ve ever done,” said Baroness vocalist, guitarist and founder John Baizley. “I’m surprised that we got as far with it as we did.”
Baizley sees the diverse, adventurous album as a “lateral step” from the streamlined, immediate guitar-rock of the band’s last release, “Purple.”
“Gold & Grey” works like a melodic puzzle, melodies and harmonic ideas borrowed, repurposed and reinterpreted across three sides of vinyl. Lyrics are full of sonic Easter eggs; unorthodox prog is hidden inside the most accessible songs; tunes emerge from swirling chaos and dense layers of sound. The album is given color by strings, glockenspiel, tubular bells, piano, synthesizers and even field recordings of the chaos after a transformer blew up outside of the recording studio.
“The term I kept using was that I wanted to create something that was more kaleidoscopic than our former records,” said Baizley, who embraced the wide lens and limitless journeying of artists like Pink Floyd, Neurosis, Massive Attack and Scott Walker. “We were trying to say something new with our instruments, with our sound intact, with the spirit of the band intact, but not applying the typical conventions when possible.”
For the first time ever, there’s a spotlight on Baroness’ powerhouse rhythm section — driving-and-spilling drummer Sebastian Thomson and jazz-honed bassist Nick Jost. Bustling with rhythmic complexity, the band occasionally swerves into highways of math rock, post-rock, krautrock and various strains of electronic music. In addition, the band has absorbed Gina Gleason, a gifted guitarist whose résumé includes playing with Cirque du Soleil in Las Vegas and jamming with both Smashing Pumpkins and Carlos Santana. Gleason’s voice harmonizes with Baizley and Jost, bringing new tone to the band.
“It’s great for me to have such a full-bodied trust in the other musicians in the band because they play at such a high level,” said Baizley. “I never, ever in a million years thought I’d play with musicians of that caliber and now I’m surrounded by them.”
Nearly 15 years since releasing their first EP, Baroness are finding a way forward by reveling in chaos.